written and edited by Esther Chin Li Yie and Cameron Victor Hill.
Thought and Writing, WMU.
notes: This screenplay is written from a real life experienced with most scenes dramatized and edited to fit into the story. Some names are changed too.
SCENE 1
IN INTERNATIONAL AIRPLANE
ESTHER’S VOICE: This is where I want to be…
LIGHTS UP
ESTHER sitting in an airplane next to the window staring dreamily out into darkness.
PASSENGER 1 is seated next to her.
PASSENGER 1: (Snorts loudly)
ESTHER VOICE: (As ESTHER looks over with a scowl) (Slightly annoyed) I take that back. I’ve been on this plane for over twenty-four hours now. I’m tired, I’m smelly, I have to pee and if this woman drools one drop, her next in-flight meal will be a knuckle sandwich. No, indeed I would rather be anywhere but here. Where I really want to be is on the ground in the U.S.A. That is where I’m going. I always knew I wanted to be here too. Since I was nine years old.
LIGHTS OUT.
SCENE 2
TO BUSY MAIN STREET IN DISNEYWORLD
LIGHTS UP
YOUNG ESTHER standing with MOM and DAD while looking around curiously.
ESTHER'S VOICE: I remember when I was nine years old, twelve years ago, when I first stepped foot in this foreign land with my parents I knew instantly that it wouldn’t be the last time.
YOUNG ESTHER: (To Audience) I will get what I want.
ESTHER’S VOICE: Even the air, full of excitement in the bustling Main Street of California’s Disney Land, agreed with me. Most notably the slight fog that marked my breath in the morning air.
YOUNG ESTHER shivers as the family walks down the street enjoying the sights.
Young Esther looks up at the sky for a moment.
ESTHER’S VOICE: It wasn’t like on T.V. There was no snow. It was cold enough though. Malaysia is hot and humid all the time and it gets sickening. It was refreshing in California. I remember thinking; “this is where I want to be.”
LIGHTS OUT.
SCENE 3
AIRPORT
LIGHTS UP
CROWD continues wandering hurriedly though the background has changed to an airport terminal. ESTHER is standing stage left with bags.
ESTHER: (To audience) So here I am. I told you I'd get what I want.
ESTHER is almost pummeled by a particularly large American as she takes in the scene.
ESTHER: Shit! People are so big here. Why don't they watch where They're GOING? (shouts the last part after the large man).(Sighs and continues) Sorry. You should know that I'm not a patient person. People think I'm innocent but they are usually surprised when they get to know me. I tell you now I don't really care what you think because if you can't handle me at my worst, you don't deserve me at my best. By the way, that's Marlin Monroe. I like her.
ESTHER walks away and stands in line for customs.
BEN enters stage right while talking on his cell phone.
BEN: Yes... Yes baby. No, I'm not staying. I just need to drive him into town. Ok, I'll call when I'm back. Bye. (Notices that ESTHER has finished checking in and turns to greet her.)
BEN: Hey. (Leans in to kiss ESTHER as she leans away)
ESTHER: Was that your girlfriend?
BEN: One of them.
ESTHER: (Matter-of-factly) I hope she's well. (Pats BEN on the head) You should stick with her. Come, take me to the car.
BEN rolls his eyes and leads quickly away.
LIGHTS OUT.
ESTHER'S VOICE: That's Ben. We used to date but he doesn't subscribe to monogamy. Suffice to say the car ride to Sandusky was less than thrilling. I promise you won't hear much about this guy. He's not what you'd call dramatic gold. Let's fast forward.
SCENE 4
DORM
LIGHTS UP
ESTHER enters her new dorm through a door in the hallway running up the middle of stage center.
ESTHER'S room mate SARA is sitting on her bed staring at her I.D.
SARA: (without looking up) Hey, I'm Sara. Welcome to Cedar Point. Let me see your I.D.
ESTHER: (A little exasperated) Huh? Hold on... (drops her luggage) Here. What do want it for?
SARA takes the I.D. from Esther and examines it as Esther begins to unpack.
SARA: (A bit surprised) Oh man, this is a good picture. Mine looks like I'm about to sneeze. (Waits for a laugh and doesn't receive one) So you're Esther? I'm Sara, like I said
ESTHER: Yeah... (takes her picture I.D. back and looks out the window) This place looks like a prison.
SARA: Yeah, seriously. What's with the armed guards?
ESTHER: I don't know and I don't really care. Have you seen the guys?
SARA: (Giggles) Uh-huh.
ESTHER: You know we don't have blond hair in Malaysia. This is so different. I mean, the sun is out, but it's cold.
SARA: Yeah, welcome to Ohio. What made you come work at Cedar Point anyway? Don't tell me it was for the blond guys.
ESTHER: No. I don't really know. I always wanted to come back to the U.S. ever since I was first here when I was nine. This just kind of fell into my lap I guess.
ESTHER flops down on an empty bed as the rest of the roommates file in. They begin to speak
Mandarin Chinese to each other and Esther looks over only when she hears her name. THE GIRLS
and SARA look at her expectedly. Esther shakes her head to indicate that she does not
understand them. The Girls continue chatting and Esther rolls over to rest.
ESTHER gets up, annoyed, she walks to the door, opens it and goes across the hall to the bath room
where she rinses her face and stares at herself in the mirror for a moment.
ESTHER: This is shit. I don't even know what I'll be doing here for work. I hope I get enough hours. ...Maybe I made a mistake.
ESTHER walks out of the bathroom and into her dorm where she lies down.
Stage lights dim and a spotlight shines on Esther for a moment until eventually all lights fade out.
ESTHER'S VOICE: I'm here just for the money, nothing else.
LIGHTS OUT.
SCENE 5
EMPLOYEE CENTER
GUY: So... are those space pants?
LIGHTS UP
...with a dramatically antagonizing sound, as if to reveal a torturing scene.
GUY is leaning pretentiously against a wall talking to ESTHER who has
her chin in her hands and is staring out into space.
Her expression says, “not again”.
GUY: Because...
ESTHER halts his speech with a hand and looks at him slowly.
ESTHER: Walk away now. Bye-bye.
GUY, looking shot down and a little confused as to what to do, walks away.
ESTHER turns to SARA who is listening to a boom box with headphones.
The Employee Center is outside and it is overcast and gray out,
though warm and slightly breezy. SARA rolls her eyes at Esther.
SARA: That's the 2nd guy you've rejected today. And he was cute! What's the matter with you? Don't you want a cute American boyfriend?
ESTHER: Fist of all, I want a cute American date. A boyfriend implies some sort of seriousness. Secondly, these guys are all the same. Black hair, short and the personality of a bag of rice.
SARA: I wish I could get as many dates as you've rejected since we've been here.
ESTHER: Maybe you would if you didn't sit around all day listening to... (picks up a CD case)...Hymns?
SARA shrugs
CAM: 'Scuse me...
ESTHER turns quickly and knocks the headphone cord out of the boom box.
Hallelujah begins playing and the sun shines down on
CAM who is standing at the employee center. Esther and SARA scramble
to stop the music. Cam is slightly amused. He is a tall, blond young man.
CAM: Yeah, uh, are those free? (points to the plasticware container)
ESTHER: (Disappointedly) Of course.
CAM grabs a rather large handful of plasticware, smiles and leaves.
SARA looks at ESTHER expectedly.
ESTHER: Him? He's a moron.
LIGHTS OUT
SCENE 6
EMPLOYEE CENTER 2
LIGHTS UP
ESTHER arrives at work via stage right and SARA is already there
SARA: So, how's Cam? Did you two go out again last night?
ESTHER: He's good... (looks at audience) (To audience) OK, I suppose I should fill you in. I still think he's a moron, but a smart one. He can be quite lame at times, but he's overall witty and articulate. We've been seeing each other for a few weeks. At first I just kind of liked that there was this tall American chasing after me, but then I realized he could make me laugh too. (Cheesy music begins to play) He gave me a ride to work once and I saw a little more than what was on the surface. (Slowly moving to stage center) He's youthfully exuberant and it's infectious...
SARA: (Music stops) Infected? I knew you should have had him tested.
ESTHER: (Annoyed) His Exuberance is Infectious. He's not infected. You're not even supposed to be able to hear this. (SARA continues working in the background.) (Music continues)
ESTHER: (Looking up) No, the music is too much. (Music stops abruptly). (To audience) There. OK. Like I said, his excitement made me excited and I started to feel comfortable. I'm more comfortable with him than I've ever been in my life. I tell my friends back home that I've fallen in love and they cannot believe it. They say, 'Esther? In love? That doesn't fit' and I must admit that I'm surprised as well. To be honest I did not want this to happen. I know I must leave him at the end of the summer and that thought brings me closer to tears the more I see of him. We have not really discussed it but I just do not know if I can take it. (Music begins slowly again as ESTHER stares wistfully into the distance)
ESTHER: (Looking up again) Cut it out. You're not helping. (Walks back to behind the counter still looking a bit sullen.)
SARA: What's the matter? You look like I do when I read my work schedule.
ESTHER: It's nothing. Just something I've been thinking about lately. It's nothing.
CAM enters stage right. ESTHER smiles as if she cannot help it.
CAM: Hey sweetie. You doing OK?
ESTHER: Yeah, why?
CAM: You looked really distracted and sad just a minute ago.
ESTHER: Yeah, I'm OK. I've just been thinking that's all.
CAM: Anything I can help with?
ESTHER: Maybe we can talk tonight?
CAM: Of course, do you work until close?
ESTHER: Yeah.
CAM: OK, I'll meet you here.
ESTHER: M'kay, bye.
CAM waves goodbye to ESTHER and SARA and exits stage left. Sara and Esther disappear into the
small shop behind the counter as the lights slowly dim to show the passage of time into the evening.
Cam re-enters stage left and waits. He takes a seat on a nearby picnic table.
CAM: (To audience) Hey. How's it going? You guys work here too? Ah, it's not important. Listen, I have a question for you. When a girl says 'can we talk', is that always a bad thing? See, I've been seeing this really sweet girl who works here at the Employee Center. We've been seeing each other for a while and I've just completely fallen head over heels for her. I'm sure she feels the same way it's just.... well she's from Malaysia. (Music starts) When we're done working here, she'll have to go back home and I'll have to say goodbye. I don't know if I can take that. I feel like I should save myself now, but I just can't. Every time I think about it, I come back to the same conclusion: I'm not ready to give up yet.
(Pauses) (Hears something) Do you guys hear music? (Music stops) (Shrugs)
ESTHER enters from behind the counter as CAM stands.
CAM: (To audience) I'm sure we'll figure it out. Thanks for listening guys. (Playfully) Now get lost will ya? (To ESTHER) Hey sweetie! (CAM and ESTHER embrace)
ESTHER: (As CAM and ESTHER begin to exit stage right) You know I was thinking today.
CAM: Uh-huh.
ESTHER: I've always wanted to study in the U.S. (CAM stops walking as ESTHER continues to exit stage right)
CAM: (Surprised) Really? (Thumbs up to audience) You know... I live in a college town. (Exit stage right)
LIGHTS OUT.
SCENE 7
CAM AND ESTHER WALKING BY LAKE ERIE
LIGHTS UP
Lights up to show CAM and ESTHER walking together while holding hands. Sounds of the surf can be
heard and the two are obviously troubled. Some time passes before either of them speak.
CAM: It won't be too bad.
ESTHER: You always say that.
Both are quiet again for a moment.
ESTHER: I just don't want things to change. (About to cry) I'm scared. 3 months is a long time.
CAM: I know baby. (Pause) I'm scared too. (Pause again and turns to ESTHER. Both stop.) Look. I love you. If this is what I have to go through to have you, then I'll do it gladly.
Both fall silent again as they watch the water.
ESTHER: You know there is still a possibility that I won't be able to come back. What if my dad can't afford to send me to college here? What if I cannot get accepted? What if...
CAM: (Interrupting) Listen. You can ask what if this and what if that until you can't speak anymore. Ask this. Ask, what if it works. What if you actually can come back and we actually get to be together. It cannot hurt to try. We'll just take it one step at a time. Keep our eyes on our feet. If we just keep walking, we'll get there before we know it.
ESTHER: (Crying) I'm still scared.
CAM: I know.
LIGHTS OUT.
SCENE 8
AIRPORT
ESTHER'S VOICE: You know, it's the memories of the past, perseverance in the present and the hope for the future that keep us alive.
LIGHTS UP
CAM is standing inside an airport terminal as the CROWD hurries around him.
He is standing behind a metal bar, staring intently at an automatic sliding door.
He waits for quite some time before they open to reveal a crowd of people that walks past.
He keeps waiting for another long moment until finally it opens again.
Another large crowd comes out and at the end of it is ESTHER.
She walks into the terminal, not seeing CAM at first.
She circles around stage left as CAM circles stage right.
They finally see each other from across the room and hurry to embrace.
ESTHER: This is where I want to be.
ESTHER'S VOICE: I told you I'd get what I want.
LIGHTS OUT
THE END



